Karina Synytsia

2026, acrylic wall painting
ДИКИЙ
ВИНОГРАД

*
UKRAINIAN
FOR WILD
GRAPEVINE
Permanent work commissioned 
by Lothringer 13 Halle 
in the context of the project “Antifacism: Now.”, 
in cooperation 
with Goethe-Institut and Artist-in-Residence Munich. 
Curated by Kalas Liebfried.
“Дикий Виноград” (Ukrainian for ‘wild grapevine’) is a site-specific intervention by Karina Synytsia, in which the grapevine is presented as a mere vessel for fragility and rebirth, emerging from a process of mourning for the lives lost since the russian occupation of Ukraine.  Stretching across the staircase of the gallery’s post-war industrial architecture (Lothringer 13 was a motor grinding workshop before becoming a contemporary art gallery in 1980), Synytsia weaves the wild grapevine as a motif from her childhood home, itself part of a post-war reparations project involving German labour in Siverskodonetsk. Grounded in archival research, the work examines how industrial and urban sites carry traces of past production, labour, and occupation. Her hometown, Siverskodonetsk, located in the Luhansk region, once a thriving Soviet industrial centre, has over decades become a space marked by russian war crimes and occupation; its factories and infrastructure reveal layers of historical intervention and appropriation.

The original vine reimagined in the painting, which climbed through several floors, withered after the 2022 invasion forced Synytsia’s family to flee. Reconstructed here from visual archives of Odesa, Zaporizhzhia, and Kyiv, the grapevine serves as a living metaphor for rootedness and loss.

Metal supports sustaining the vine reflect the fragile conditions in which life persists. As the vine continues to grow in this alternate space and time, so too does the number of victims in Ukraine. “When violence is translated into material terms, recognition often takes the form of compensation. Reparations–which are being addressed here–function as an official gesture of acknowledgment, yet they simultaneously reveal an irresolvable contradiction: loss cannot be fully measured. No calculation can equate to a human life, a destroyed home, or a ruptured future,” asserts the artist. Through this artwork, reparation is articulated as an ongoing process of memory and responsibility in the present, including in the current context of contemporary russian fascism and its violent impact on the whole region. 
Wall painting here is reclaimed in opposition to its connotations of Soviet state propaganda, reactivating the medium’s capacity to materialise acts of commemoration within a shared horizon of a future that resists its cancellation.
Text by Ilaria SpondaPhoto: Christian Kain
Photo: Christian Kain
2026 © Karina Synytsia. All rights reserved.
Design & Layout: Denys-Kamyl Levadny